The Evolution of Marlborough’s Viticulture: From Early Settlers to World-Class Wine Region

Whenever I wander through the vineyards here in Marlborough, especially on a crisp autumn morning with the scent of harvest in the air, I’m struck by the relatively recent yet profoundly impactful history etched into this landscape. It’s easy to take our region’s global wine reputation for granted, but the journey from quiet pastoral land to a celebrated viticultural powerhouse is a truly remarkable story worth exploring. It’s a narrative of vision, risk, understanding the unique gifts of our environment, and a continuous drive for quality that has unfolded over less than a lifetime, transforming Marlborough into New Zealand’s premier wine region.

Early Seeds and Stirrings in the Pre-Commercial Era

It’s fascinating to think that the very first whispers of viticulture in Marlborough date back much further than most realise. Records suggest a settler planted the first vines as early as 1867, a time when the broader New Zealand wine story was just beginning with figures like James Busby in the North Island and the establishment of Mission Estate in Hawke’s Bay. However, unlike those early North Island efforts often linked to religious orders or satisfying local thirst, Marlborough remained firmly rooted in its traditional agricultural identity for over a century. Visiting places like Brayshaw Park, with its focus on our farming heritage, really brings home how dominant sheep farming, grain cultivation, and cherry orchards were, as noted in the Marlborough region profile. For the longest time, the idea of Marlborough as a wine region simply wasn’t part of the picture; those early vines were isolated experiments rather than the dawn of an industry.

The Turning Point Commercial Vineyards Take Root

The real shift, the moment the landscape began its transformation, arrived dramatically in 1973. I often try to imagine the conviction it must have taken for Montana Wines (now known as Brancott Estate) to look at the Wairau Plains, then primarily sheep country, and envision vast vineyards. Their decision to plant around 50 hectares was a bold, calculated risk, marking the first large-scale commercial viticulture not just in Marlborough, but on the entire South Island. This wasn’t merely about planting grapes; it signified a fundamental change in perspective. It marked a move away from the earlier New Zealand model, where pioneering Dalmatian immigrants often established vineyards near markets like Auckland, towards selecting sites specifically for their viticultural potential based on climate and soil – the beginning of truly understanding and harnessing Marlborough’s unique terroir.

This pivotal moment didn’t happen in isolation. The 1960s and 70s saw several currents converging across New Zealand, creating fertile ground for such ventures. Kiwis travelling abroad brought back a taste for European food and wine culture, seeking to replicate it at home. The nation’s strong dairy industry, surprisingly, provided crucial expertise in hygiene and refrigeration, skills directly applicable to modern winemaking. Furthermore, a new generation of ambitious Kiwis sought formal winemaking training overseas, returning with invaluable knowledge blending Old World tradition and New World science. Coupled with evolving liquor licensing laws, like the rise of BYO restaurants, and that quintessential Kiwi ‘can-do’ attitude, the stage was set. It feels like a perfect storm of cultural shifts, technical know-how, and entrepreneurial spirit, beautifully captured in reflections on the broader history of wine in New Zealand.

Sauvignon Blanc and the Global Stage

While Montana’s plantings broke ground, it was the dawning realisation in the early 1980s of Marlborough’s extraordinary affinity for Sauvignon Blanc that truly ignited the region’s destiny. This grape variety found a unique expression here, unlike anywhere else in the world, displaying uniquely vivid characteristics thanks to the local conditions. It rapidly began to replace previously planted varieties like Muller Thurgau, as growers recognised its immense potential. I remember hearing stories from the early days – the excitement and surprise as the first Marlborough Sauvignon Blancs revealed their distinctive, pungent aromas and vibrant flavours.

The watershed moment, the one that firmly placed Marlborough on the world wine map, was the launch of Cloudy Bay in 1985. Founded by Australian winemaker David Hohnen, who clearly saw the region’s potential to produce world-class wine, Cloudy Bay quickly became an icon. Its Sauvignon Blanc, embraced enthusiastically first by the UK market and then globally, became the benchmark. As noted by World Wine Weather, this launch and the subsequent rave reviews were critical. It’s almost astonishing how quickly this single wine style captured international attention, defining not just Marlborough but New Zealand wine for a generation. Its success wasn’t just commercial; it was cultural, creating a distinct identity for our wines on the global stage.

Understanding the Land Terroir Sub-regions and Sustainable Practices

The Climatic Advantage Sunshine and Cool Nights

At the heart of Marlborough’s success lies its unique natural endowment – the terroir. We are blessed with one of the sunniest spots in New Zealand, averaging over 2,400 hours annually, crucial for ripening grapes. Yet, it’s a cool climate overall, moderated by the Pacific Ocean and sheltered from harsh westerly and southerly winds. Perhaps the most critical factor is the significant diurnal temperature range – the difference between warm days and cool nights. This swing, sometimes as much as 15°C during the crucial March-April harvest period (when days average 19-21.5°C and nights drop to 7.5-10.5°C), allows the grapes to develop intense, complex flavours while retaining the bright acidity that gives our wines their characteristic vibrancy. Combined with low rainfall and free-draining soils, this climatic magic allows for a slow, extended ripening period, perfect for developing aromatic intensity.

Mapping the Terroir Wairau Southern Valleys and Awatere

Over time, there’s been a deepening appreciation that Marlborough isn’t monolithic. Winegrowers identified distinct sub-regions, primarily the Wairau Valley, the Southern Valleys, and the Awatere Valley, each possessing unique characteristics. The Wairau Valley, the region’s heartland around Blenheim, features old, gravelly riverbed soils and varied aspects creating diverse meso-climates known for fruit intensity. The Southern Valleys (including Omaka, Brancott, Waihopai) have heavier soils with more clay, are often cooler and drier inland, proving particularly well-suited for elegant Pinot Noir and aromatic varieties. The Awatere Valley, further south and distinct geographically, is cooler, drier, and windier, often with higher elevation sites yielding lower quantities but intensely aromatic Pinot Noir and distinctive Sauvignon Blanc. Wineries like Nautilus Estate strategically source grapes across these diverse areas, weaving together the unique threads of each sub-region to create more complex and layered wines. This nuanced understanding, detailed by sources like New Zealand Wine, is central to Marlborough’s evolution.

From Flood Plains to Hillsides Evolving Practices and Sustainability

Viticultural practices themselves have evolved significantly. The initial large-scale plantings focused on the alluvial flood plains of the Wairau River, particularly around Rapaura. From the early 1990s onwards, expansion occurred, moving into the Awatere Valley and onto the northern and southern hillsides flanking the Wairau. This wasn’t just about finding more land; it reflected a move from a more general farming approach towards highly specialised wine-growing techniques tailored to specific sites and varieties. Alongside this refinement came a powerful commitment to environmental stewardship. The Sustainable Winegrowing New Zealand (SWNZ) programme, established in 1995, has been instrumental in guiding the industry towards environmentally responsible practices, with the ambitious goal of becoming the world’s first 100% sustainably accredited wine industry.

Many wineries have embraced this wholeheartedly. Villa Maria, for instance, was a founding member of SWNZ and pioneered quality initiatives in the 1980s, rewarding growers based on fruit quality rather than just volume – a revolutionary step at the time. Similarly, the dedication to organic practices is growing, exemplified by estates like the organically certified Hans Herzog Estate, known for its exclusive, handcrafted range, and Nautilus Estate exploring organic methods at their Renwick vineyard. This intertwining of quality focus and environmental responsibility is a defining feature of modern Marlborough viticulture, ensuring the region remains progressive and respected.

Beyond Sauvignon Blanc Diversification and Innovation

While Sauvignon Blanc remains Marlborough’s calling card, the region’s story is increasingly one of diversity. Elegant Pinot Noir finds exceptional expression, particularly in the Southern Valleys and parts of the Awatere. Chardonnay continues to impress with its intensity and structure, and vivid aromatic varieties like Riesling and Pinot Gris are gaining well-deserved recognition. A particularly exciting development, I find, is the rise of high-quality traditional method sparkling wine. Initiatives like Méthode Marlborough bring together dedicated producers such as Hunter’s Wines, Nautilus Estate, and Saint Clair Family Estate, committed to crafting world-class fizz using traditional techniques and grapes grown exclusively here. It adds another fascinating dimension to our wine identity, moving beyond still wines.

This diversification is often coupled with a spirit of innovation that extends beyond the vineyard. Villa Maria’s bold move in 2001 to become the world’s first major winery to commit entirely to screwcaps is a prime example. While seemingly a packaging decision, it signalled a commitment to quality preservation and a willingness to challenge convention, further bolstering Marlborough’s image as a modern, forward-thinking region. These developments show a region confident in its foundations but eager to explore new possibilities and showcase its versatility.

Marlborough’s Wine Story A Legacy Still Unfolding

Reflecting on this journey, the speed of Marlborough’s transformation is truly remarkable. In less than fifty years, since those first major commercial plantings in 1973, we’ve witnessed a shift from pastoral farming to becoming New Zealand’s largest wine region. Today, Marlborough accounts for roughly two-thirds of the national vineyard area, encompassing approximately 31,000 hectares, with over 22,000 hectares dedicated to the iconic Sauvignon Blanc. This rapid ascent, driven initially by that unique Sauvignon Blanc expression, has created a significant $1.72 billion annual export industry and placed Marlborough firmly on the global map. Yet, despite this scale within New Zealand, we remain a boutique producer on the world stage compared to giants like Australia or Italy, which perhaps reinforces the focus on quality over sheer volume.

Marlborough’s viticultural evolution is more than just an economic success story; it’s a narrative woven into the fabric of our community and landscape. It’s about the interplay between the unique environment, the vision of pioneers like those at Montana and Cloudy Bay, the dedication of growers and winemakers adapting practices over decades, and the continuous quest for improvement and sustainability embodied by initiatives like SWNZ and Méthode Marlborough. As I look out over the rows of vines that now define so much of our region, I feel a sense of pride in this heritage and excitement for what the future holds. The story is far from over; new chapters exploring different varieties, refining techniques, navigating climate shifts, and deepening our understanding of this special place are constantly being written. It’s a living history, and one I believe is crucial to cherish and share.

Brief History of Activewear Fashion

There is no denying that fashion plays a significant role in our day-to-day lives. Typically, you will find people wearing different clothes depending on the occasion: holiday wear, official wear, smart-casual, activewear, etc. Let’s walk down memory lane and focus on the evolution of gym fashion.

1960s

Workout clothes became a fashion for the first time during this decade, with many gym enthusiasts preferring to don the right outfit during workout sessions.

1970s

The tracksuit had been released, so people rushed to have a piece of the fashion in their wardrobe. Those without tracksuits would look out of place in the gym or during group workout sessions.

1980s

From simple lose-fitting bloomers and baggy pants to leggings, crop tops, yoga pants, and long sleeve workout tops you see online, activewear has come a long way. The activewear brand AIMN offers high quality modern tights and long sleeve work out tops.

You have seen or heard about the famous leg warmers, right? They are associated with this decade. Also emerging in the 80s were dance rights and bright colours. With cardio classes introduced too, ladies had every reason to dress appropriately for sessions.

1990s

Although this period left behind sweatbands and legwarmers, tights, leggings, and leotards continued to rule. The fashion became more of pigtails and layering but less of bold prints.

2000s

Workout clothes had become far much functional by this time, with yoga pants becoming a thing for many people. That was because yoga classes had hit unprecedented popularity.

Today

Today, activewear is more sophisticated than ever before. What we have now is a blend of previous styles and high-quality breathable materials that feel super comfortable on the body.

Beavertown

The Beaver or Beavertown is a noteworthy feature in Marlborough’s Brayshaw Heritage Park. It’s a replica village constructed in 1960, way back when the idea of historical collections in a heritage park first came to be. The founder of the heritage park is Norman Brayshaw. The people behind its construction are members and volunteers of a group incorporated in 1955, the Marlborough Historical Society.

It’s a sight to behold, especially for history buffs. Not known to many is that it’s the location of the Battle of Blenheim where troops (including those led by John Churchill) defeated French forces. By spending an hour or two in the replica village, history buffs can take a trip down memory lane.

The people who pushed for Beavertown’s construction are history buffs themselves. From their perspective, it’s essential to show the original or untampered history of a place, which is why they intended to show the ins and outs of Blenheim “as they are” and not influence an audience’s understanding of it. This is one reason why they decided to construct a replica village, so people can have a firsthand experience of the history of Blenheim, instead of merely providing descriptions of it in books.

What gives Beavertown a notable significance is its accuracy. Like other replicas of villages in New Zealand, it does a magnificent job of replicating the street scene that shows the life in the town of Blenheim back in the 1900s. Commercial buildings, shoe shops, hotels, and other establishments are precisely where they’re supposed to be. Anyone who wishes to experience what life was like in the old days is invited to check Beavertown.

Beavertown is also where one will find working stables. And in there are beautiful horses, considered a significant attraction of the town. Because one of the first arrivals, a Canadian adventurer who went to meet friends, got to the destination on horseback, horses and horseback riding are meaningful to Blenheim and Marlborough’s history. To keep up with the times, new elements are regularly added to the replica village. Lately, in 2020, visitors will catch Stuart the Horse in action, making the children smile with his usual tricks.

It also gives a nod to the historical role of Blenheim in New Zealand by its use of the word “beaver”. Known to many, a beaver is the town’s official mascot, which stays true even though an actual beaver was never seen. Residents use the word as a reference to Marlborough’s tendency to flood and a way of acknowledging how beavers, in general, play a pivotal role in preventing floods from damaging homes. Sometimes, the term “Beavertown” is confused with the early nicknames of Blenheim, such as “Beaverton” and “Beaver Station”.

Wine Exhibition at the Marlborough Museum

The Marlborough Museum is one of the significant draws of Brayshaw Heritage Park, and among the features of the museum is the Wine Exhibition. It’s an exhibition that even the locals, the people who already know about wine and the suburb’s history with it, enjoy going to. In Australasia, it’s also recognised as the best in its category.

The Wine Exhibition shows everything essential about wine and its beginnings. This includes the colourful history of wine and viticulture in Marlborough. A significant idea of the exhibition’s design is to provide a meaningful and easily understandable view of wine to general audiences. If they initially didn’t have an interest in wine, they can expect their minds to change after their visit.

Because it’s an informative exhibition, it’s also a must-see for sommeliers, wine writers, distributors, trade visitors, and everyone who wishes to add to their concept of wine and how Marlborough’s wine heritage relates to the present. The exhibition is also ideal for tourists, immigrants, travel writers, and families who want a quick break from reality. Especially if these visitors signed up for a winery tour, a stop at the museum to see the exhibition will make them look forward to their time even more.

The exhibition includes a collection of wine types most people see every day and those they don’t see very often. It also has a wine showcase exclusive to Marlborough. There’s a wine on display for all connoisseurs, from old and iconic wines to the rare types. It also shows winemaking equipment, interesting viticulture, interactive displays, and educational resources to make the exhibition enjoyable.

Additionally, to emphasise the historical significance of wine in Marlborough, the exhibition shows historical masterpieces. They’re meant to depict the importance of wine in Marlborough and its pivotal role in the suburb’s festivities. These exhibits include oral histories, stories, photos, and wine brand histories. Visitors can also walk away with classy memorabilia.

Behind the Wine Exhibition are scientists, viticulture experts, and other professionals from Marlborough research centres. The curator, designer, and project manager are renowned specialists employed to produce high-quality work. Any day, visitors can drop by and check it out. As a permanent museum feature, one can view the displays all year-’round.

Classic Cars and Vintage Farming Machinery

For the mechanical enthusiasts in the family, Marlborough’s Farming Museum in Brayshaw Heritage Park is worth checking out. The exhibition includes an impressive display of classic crawlers and wheel tractors that operated around Marlborough back in the day. Very rare machinery such as the Blackstone oil engine that Andrews and Beaven in Christchurch built is part of the display, too.

There, visitors will also see attractions other than machinery. They’ll discover furnished and locally restored cottages from the 1880s and a blacksmith’s shop. These additions may not be as interesting as the vintage machinery. However, these displays add relevance to the museum by allowing people to see where cars were created and sometimes stationed.

Additionally, a local engineering group, known as the manufacturer of “Marlborough cars”, pitched in. It knows an item from the group would draw people to the museum even more. So to wow audiences, it put a large stationary engine on display. And as expected, this stationary engine is favoured by many visitors to the museum.

Another sight that many visitors enjoy is the McLaren Steam Roller. Some people’s sole intention of dropping by the museum is to catch a glimpse of the Steam Roller. In its “untouched” state, it’s a glorious sight already. However, to make the machinery more appealing to the younger crowd, it underwent a complete restoration.

It also honours the persistence of Brayshaw Heritage Park’s founder, Norman Brayshaw, in collecting and documenting the agricultural history of Marlborough and the suburb’s admiration for classic cars. Like every other machinery club in New Zealand, its goal, aside from showing exciting items, is also the restoration of vintage machinery.

Marlborough Associated Modellers Society

MAMS or the Marlborough Associated Modellers Society is a non-profit group. Its mission is to inform the visitors and the locals of Marlborough about the town’s transport systems. Thus, its members are in charge of the creation and operation of transport systems, including boats, trains, and model aircraft in Marlborough.

The society is stationed at the Club Base in Brayshaw Heritage Park. It’s known for hosting a fair that shows a model boat and clubrooms near a pond. It also manages the operation of a miniature railway, something children look forward to seeing.</p>

The society’s model airfield is near Tuamarina. There, the members fly the model aircraft regularly. Usually, the flights are scheduled twice a month, every first and third Sunday.

Anyone can join MAMS as long as these aspirants are interested in the society’s mission. Different membership plans are distributed to accommodate the types of people who want to join the club. These memberships include Ordinary, Country, Junior, Family, and Engineering memberships. To kick things off, they can tag along to see the members in action. It’s an ideal time to get acquainted with the ones in charge, too.

Marlborough Guild of Woodworkers

At a renowned gallery in Brayshaw Heritage Park, visitors can see the Marlborough Guild of Woodworkers and its members’ best woodwork. The display demonstrates impressive work, with the pieces using both traditional and modern woodwork techniques. Most of its members consider the guild home, where they developed and mastered their woodworking skills since they took up the craft.

The members are open to disclosing the hours they invest in creating their masterpieces. It’s a way for them to show proof of their dedication to woodworking. To them, woodworking is not for the faint of heart, and their works are strategically created. Anybody who views their masterpieces can also see the result of the personal resources they invested in them.

One notable member is the Marlborough Guild of Woodworkers’ former president, Edward Guard. During an exhibition, he featured one masterpiece, a portrayal of The Last Supper, that took him over 400 hours to finalise using the intarsia woodwork technique. He shares that it’s his favourite work, and he put in about half an hour of his time to create and place each piece of the 800-piece artwork.